One Hundred Years of Solitude by Gabriel Garcia Marquez (1927-2014)
“Many years later, as he faced the firing squad, Colonel Aureliano Buendia was to remember that distant afternoon when his father took him to discover ice. At that time, Macondo was a village of twenty adobe houses, built on the bank of a river of clear water that ran along a bed of polished stones, which were white and enormous, like prehistoric eggs. The world was so recent that many things lacked names, and in order to indicate them it was necessary to point.” (the first paragraph of One Hundred Years of Solitude)
I adore this book. It is beautiful and it became an old friend within the first few pages—sometimes books are that way, they tell their story with a voice that is familiar, yet remarkable because of its unique qualities. There is so much grace in this book—very profound. It has a playful spirit that is hungry and happily full of love, a spirit that accepts death and sorrow as unavoidable facets of life. It made me laugh out loud and at times I would tear up—it is deeply emotional—compassionate. It is still speaking to me in an enchanting way that good books do—it keeps tugging on me to come back for one more look, so it is not too far out of reach, even now. One of the beauties of such a book is suspension of all belief and going with the natural flow—it is told in a voice that is wise and older than time. It is a book about being human—humans are messy, passionate fools who tumble into wisdom after several rounds of stupidity. Sometimes there is no dignity in our existence as we scratch about making a life out of what comes to us along the way—
“Ursula wondered if it was not preferable to lie down once and for all in her grave and let them throw the earth over her, and she asked God, without fear, if He really believes that people were made of iron in order to bear so many troubles and mortifications.”
Gabriel Garcia Marquez once said that everything he had written, he knew or heard before he was 8 years old. These formative years were spent with his maternal grandparents, listening and absorbing their folk tales and superstitions—stories of which he could not tell what was true and what was invention. His novels were filled with unforgettable characters existing in a fantastical landscape; books filled to the last page with dreams and realities; life and death; war, politics, madness, truth, enchantments, and lots of love—so much love.
“Madly in love after so many years of sterile complicity, they enjoyed the miracle of loving each other as much at the table as in bed, and they grew to be so happy that even when they were two worn-out old people, they kept on blooming like little children and playing like dogs.”
My most favorite part is when Remedios the Beauty ascended and she took Fernanda’s sheets with her, and of course, Fernanda was quite bent out of shape about that!
“Ursula, almost blind at the time, was the only person who was sufficiently calm to identify the nature of that determined wind and she left the sheets to the mercy of the light as she watched Remedios the Beauty waving good-bye in the midst of the flapping sheets that rose up with her, abandoning with her the environment of beetles and dahlias and passing through the air with her as four o’clock in the afternoon came to an end, and they were lost forever with her in the upper atmosphere where not even the highest-flying birds of memory could reach her.”
It is these moments of fantastical glory contrasted with human truths that make this book so special. No belief required—let it all go into the wind of light like Fernanda’s sheets and Remedios the Beauty, open your mind, read it and love it.
“Tell him,’ the colonel said, smiling, ‘that a person doesn’t die when he should but when he can.”